A Clockwork Orange by Anthony Burgess (Book Analysis)
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Slaughterhouse-Five by Kurt Vonnegut (Book Analysis)
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The Glass Menagerie by Tennessee Williams (Book Analysis)
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A Game of Thrones by George R. R. Martin (Book Analysis)
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Sarah's Key by Tatiana de Rosnay (Book Analysis)
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Atonement by Ian McEwan (Book Analysis)
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Stoner by John Williams (Book Analysis)
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The Maltese Falcon by Dashiell Hammett (Book Analysis)
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Brighton Rock by Graham Greene (Book Analysis)
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The Lover by Marguerite Duras (Book Analysis)
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Blindness by José Saramago (Book Analysis)
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The Da Vinci Code by Dan Brown (Book Analysis)
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Catch-22 by Joseph Heller (Book Analysis)
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The Prime of Miss Jean Brodie by Muriel Spark (Book Analysis)
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Life of Pi by Yann Martel (Book Analysis)
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The Night Manager by John le Carré (Book Analysis)
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Ulysses by James Joyce (Book Analysis)
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The Grass is Singing by Doris Lessing (Book Analysis)
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The Century trilogy by Ken Follett (Book Analysis)
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The Catcher in the Rye by J. D. Salinger (Book Analysis)
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The Hobbit by J. R. R. Tolkien (Book Analysis)
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Eleanor Oliphant is Completely Fine by Gail Honeyman (Book Analysis)
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My Name is Red by Orhan Pamuk (Book Analysis)
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A Bag of Marbles by Joseph Joffo (Book Analysis)
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Mrs Dalloway by Virginia Woolf (Book Analysis)
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No Country for Old Men by Cormac McCarthy (Book Analysis)
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Bridget Jones's Diary by Helen Fielding (Book Analysis)
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Pedro Páramo by Juan Rulfo (Book Analysis)
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Lincoln in the Bardo by George Saunders (Book Analysis)
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The Name of the Rose by Umberto Eco (Book Analysis)
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